This performance was first performed in 2017, and was curated in response to the politics in Britain. Balls explored themes of austerity, class and Teresa Mays satirical handling of the EU Referendum. Balls exhibited the anger toward people of power, the elite and the 18th century aristocracy itself.

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Directed by Kieran McMath

Role: Collaborator/Performer

Photography: Julia Bauer

Performed by: RCS Contemporary Performance Practice